The Fable of Justice
The Force of the Law of Love
The Law of Love
The truth of the law of justice
Is the one who fosters
The unique aptitude of love
In a dream of realization
Of the Tao
In the beauty of the Dao
In a love bonnet of the divine
In which the tides of fate
Align spirit into matter
And each is cared for
Through time
The Parable of the Tarot
The justice tale is one of bringing to fruition the law of the land. The law of the land is a sanctimonious system of truth that fosters non-destruction and love for each and the whole. Love of the whole is a forensics alignment which fosters tribal instincts to take flight amongst each. Tribal instincts foster a wheel of possibility of each in ohana lore that fosters or care of the heart through time.
Tribes pull together to survive difficult physical terrain of happenstance of strife or war bonnet of self issues through time. The war bonnet of self is an oscillation that fosters one tribe to war against another for their needs of sustenance. War is not a spiritual law happenstance of fate. War is against spiritual law and the lore of justice attempts to foster non-war in eras of potential war upon Earth. In non-war happenstance, the justice tale fosters care of the heart in the region, ending hypocrisy of the extremes of greed and starvation.
War is always a result of lack of sustainable resources within a particular tribe or nation that chooses to defecate and deface another for their own sustainability. War is a more common happenstance today than in other eras upon Earth. The war bonnet is on high due to middle eastern strife of fate of life in lack. Those choosing to defile and deface are also lacking within to foster dreams of enough. The lack is so great in this era due to a loss of consciousness of the human kingdom. The human kingdom is again falling due to biochemical deficiencies and toxic overload. Heavy metals in the cortex of the mind foster those who desire to war in life. War can also be defined as arguments to violations of all kinds including murder.
The toxic wastes are at an all-time high since WWII. WWII launched wastes into the ethers not only due to nuclear systems of fate, but also, in the choice to create war bonnet machinery. The war bonnet fosters a decline in awareness in all eras that it has sufficed to foster difficult international or national dreams of mayhem of life. War bonnet songs prevail amongst those nations choosing to war between or within themselves. The war bonnet song can also lead to experiences such as 9-11. The 9-11 happenstance is an earth driven dream to foster non-nuclear systems in a war bonnet era of self. The war bonnet will decline within forty years time as the light era of Earth is inaugurated.
The one in the justice position as a spiritual master fosters a non-war-bonnet motion. Generally, there are two incarnate as global leaders in the positions of a guru-ship that foster a non-war-bonnet happenstance of fate. One is generally in the east and the other in the west in this time period. The two ignite a bond that then marries the pair in an intricate motion that may or may not become physical. The marriage is one of deep care of the heart to foster non-nuclear mechanisms upon Earth. The non-nuclear expression is one of care of the whole that is inaugurated through many who align with the thoughts of the two in guru-ships of self. As enough align, the war bonnet is offset into non-nuclear strife through time. There are two in alignment today in the east and west fostering a non-nuclear system in this cycle.
Those aiding the guru-ships in their goal of non-war are often small spiritual leaders of many fates of happenstance of self. The other major arcana and minor arcana align in a position of fate in support of a non-war-bonnet happenstance of life. Those aligning are blessed infinitely with dreams that they desire to foster as a thank you for allowing the planet to cease to foster a nuclear extinction before it is time in the fate of the world. Each spiritual leader that aligns for a non-war bonnet system receives sixteen years of peace in life.
This is the last arcana of fate to be spoken unto in Yogananda Tales of the Heart. Many arcanas are wounded and need to be revised or healed ahead. The arcana lore that are damaged cannot foster the mellifluous dreams that they once caused in the physical. All arcana dreams are to be enhanced and infused with new definitions for hope and an alignment with the purpose of the spiritual developments needed to cause an age of enlightenment to unfold ahead. The fostering of arcana dreaming is not a small project nor is it unimportant in the unfolding tides of time. Those fostering arcana dreaming are to be blessed and honored for their role in sharing of the truth of how life systems trigger mastery or non-mastery in life.
Spiritual tests of self are not small in this era. Many are tested and few pass their spiritual tests. Yogananda is one of many who was tested and passed to a deeper degree than the era in the time he was alive. He transfused into a level of awareness that has been present upon Earth for eight thousand years. Yogananda is not only of the one incarnate but a compilation of many who mastered and transfused into an expanded consciousness together through time. Yogananda is a fable all of his own for the plight and strife of the need to hold mastery fables in a region of domain that is primarily demonic in its origins of self. There is a large drive underway to trigger extinction upon Earth. This is the last era that light motion and arcana of mastery is to be fostered again upon Earth.
Be swift and sweet in the mastery of you in the now and ahead. There is no other era to master ahead. Do as you need to in order to foster yourself in all ways possible in the mastery arcana of fate that you are through time. Do not tarry and do not refrain from fostering the largest mastery levels that you can within and in life. The larger the mastery, the greater the support from those as myself, Yogananda from the Heart. The truth is sincere and the fostering is deep and the care is delightful for those mastering the fate of the yogi within.
The yogi within is not only of the east but also of the west amongst those willing to walk the path of deep spiritual realization of self. Realization of self is not to be confused with the path of ascension or other spiritual focuses. The path of sincere realization is a lifelong excursion into the divine and the non-sublime that plagues the human kingdom in all the darkness that has ever existed through time.
Adventuring into the darkness is a sincere part of the path of any Yogi. The Yogi knows that the darkness lies within and within each that sojourns with him or her. The Yogi knows that the darkness is only a strife of the night that is to be risen above and illuminated within until peace and divine understanding may be fostered. Rising above the darkness of today is no small feat for any Yogi attempted the path of realization in this era.
The darkness is at an all-time high due to nuclear attrition and pollutants of self and the biology due to techno-gadgetry and other issues of strife in the world. The toxins afflict the mind and increase the darkness, plaguing the human species. The light will motion the toxins into a system of gas that will purify each mastering along with the planet for a time. Those choosing to light motion greatly through transfusion systems will defeat the toxins within, rising above disease and renewing the biology, for another era of realization and actualization of self ahead.
The Tale of Justice
The arcana fate of justice is a sincere refraction of the truth of the need not to war ever and for any cause in anyone or any tribe or nation upon Earth. The need not to war is a sincere motion to protect the planet from the ill fate of a nuclear cause. Nuclear cause has occurred in four time periods upon Earth. The four causes of nuclear systems are a sincere reflection of extreme polarities between creations. The extreme poles align to save one creation and destroy Earth in counterbalance.
Extreme poles are a difficult land for any Yogi to realize within. The extremes foster life and death matters in the Ashram or group of affiliations for any Yogi upon the path through time. Justice is an arcana of fate designed to cause non-nuclear extinction in any era that the role is required upon Earth. Due to the technological development of humankind, the need of the arcana of Justice is great in this time period.
The Fortuitous Fruition
Eathelyn is a fortuitous formation of herself. Her google eyes shimmer against her cascades of wavy hair of the eve. She is tantric and voluptuous and every male that is single or otherwise is attracted. Eathelyn creates many notches in her lipstick case of in an eve of the plight of the night of many. Men come and go along with roses and gifts of the heart or other exotic or erotic bouquets of self.
Eathelyn is most outrageous as one can be in the desire of the boudoir of her life. She is not wealthy but sustains herself in a boudoir of fashion industry of fate. The company promotes her if for no other cause than all the men that pay attention unto her bosom and send other femme fatale in nature to shop until they drop. She makes sure to amplify the bosom to the absolute heights of all possibility in her own boudoir of adornment and fosters the same for each other.
The odyssey of possible male attention never ceases to attract Eathelyn’s ongoing enjoyment in life. All ages and statures of men are attracted to the ample blossoming of Eathelyn as a femme fatale of her own. She attracts married and single and something in between. One adroit business man of acclaimed marital stature fondles her once too frequently for her own sake. Eathelyn finds herself falling in love with Ihsan. Ihsan is handsome, bold, and her equal in the lust equations of himself. Ihsan is vying to understand the type of woman he might be if he had been born as the opposite gender. Eathelyn is so outrageous that Ihsan knows that she might be him if not for his particular sperm and egg content of the chromosome count of a male body.
Eathelyn flirts with Ihsan as outrageously as he flirts back. Soon the two are highlighted in the press of the local town of her femme fatale merchandise warehouse of the longing of every woman to be desirable to some men if not every man of fate. Eathelyn is not concerned about the public attention and anticipates another promotion in the infirmary of the lore of the non-ample bosomed femme fatale appearing ample by night if not by day. Instead of a promotion, Ihsan is hired under her as the company feels that this is the best possible resolution to all the attention of the two. Suddenly Eathelyn finds her work habitat invaded by a male presence that entices all her staff into a tantric boudoir of himself. Each swoons and sways at the glistening of Ihsan who seduces not better than herself but of the feminine and not masculine.
Eathelyn is outraged at first but becomes emerged in mirth as Ihsan attempts to sell a wealthy client of many more garbs of the night than she is willing to purchase. He lavishes her in compliments as she exits the dressing room in each garb and states that she will be the femme fatale of each in each costume she dons. Now honey, Soiree says, do not lie to me. I know some garb of the boudoir better my appearance and some do not and I wish the best of the best and not all.
Eathelyn finally intervenes and suggest three of sixteen costumes of the eve and one in particular for an upcoming ball of lavishness fostered in the holiday gatherings of the local town. Soiree is delighted at the suggestion of making a few tucks and sucks to allow a boudoir of the eve attire to become her ball gown of fate for a glorious occasion ahead. Her betrothed from afar is attending and she knows he will not be able to take his eyes away from her bosom or eyes.
The cash register continues to ring into the new year in larger amounts due to Ihsan and due to many festivities of fanfare of the feminine desiring to entice the masculine in one direction or the other. Soon Ihsan learns more about the feminine tricks of the trade of seduction into the care of the heart than he ever thought possible. Eathelyn is not unaware of his festive presence or newly gained understanding of the feminine in its desirous nature of feeding upon male attention or the finances of their estates for the short or long term.
Eathelyn wishes that she could participate in a male club so that she could witness the opposite within. In time, she expresses her desire to Ihsan who arranges a membership at a fortuitous club of the wealthy and famous that he also partakes within but free of charge due to a wife of someone he courts from time to time in her loneliness of self. A second membership is fostered upon her credit card and goes unnoticed in the high expense account of herself as a fortuitous wife unto the rich and famous.
Eathelyn finds herself spending a little more time at the club than at her boudoir mansion of the company. She comes to understand how men think in an adroit system of existence that is generally more concerned about either the loin or the bank account of themselves and not the feminine. She expresses her observations lavishly at work and often in front of Ihsan. Ihsan laughs but wonders how much more the femme fatale of the business will be advised for the sake of themselves through time due to all their glistening observations.
Soon many more women of the day and night choose to visit Eathelyn and Ihsan to share of their stories and decisions of delight or plight for advice. The two begin an adroit counseling services for single or wedded or divorced men and women who desire to understand more about relationship as a side line affair. Ihsan is thrilled with the new practice of counseling as is Eathelyn.
The company chooses to compliment the counseling endeavors for a time but soon sales drop. Those visiting the shop are more interested in counseling than the boudoir of clothing offered. In time they hire another manager, and Eathelyn and Ihsan depart. They open an office of their own for the advisement unto clientele on how to resolve difficult dramas of the heart. Most in town loves the two and soon their schedule for counseling is booked for months in advance. Eathelyn and Ihsan earn a good living and aid many counts or countesses or others of prominence or non-prominence of the land of their birth in finding true love of the heart or departing from difficult plights of the night with men or women of difficult fate of partnership.
Often clients inquire if Eathelyn and Ihsan are beloveds or would consider this possibility between themselves? The two wink and say no they understand too much about one another already to foster romance or a boudoir scene in their life. Each is dating someone not unknown to themselves or others in town. An herbalist, Windflower, brings a mellifluous concoction of a potion for love of the two as a gift for many insights into her difficult marriage of wealth. The two are not to drink the potion together but rather with the one of their heart’s desire. Ihsan is not uncanny in his hidden desire for Eathelyn. Ihsan splits the dosage between Eathelyn and himself unknown unto her in a champagne toast following the last client witnessed on her birthday of fate.
The two drink of the potion and make love into the night and the dawn’s light and again throughout the next night witnessing not the rise and fall of the moon above as they are each more focused upon one another’s eyes. The two are dazzled by one another falling into deep care of the heart and then the love of the two in a few weeks to follow. The second portion remains unopened and unused. Ihsan enquires of Windflower what if? What if they took a second dosage? Windflower claims that the beloved would be further enticed in a second dosage and to drink only as the romance appears to be fading and never to drink with another please. Windflower is astounded at the pair announcing their engagement soon to follow and at a lavish function attended by only the wealthiest of which she is married unto one.
Eathelyn and Ihsan plan the most outrageous of weddings upon a cruise line of self. The entire party and all attendees are invited to cruise through an intimate island chain of delight for four days of wedding celebrations as the friends of their heart. Many choose to join the pair in the celebrations of their wedded bliss. Some cannot or do not due to other causes of strife in life.
Windflower chooses to attend but without her husband, Natto. She meets a beautiful partner of the eve known as Wernher fostering the affair of her life. She hopes that the journey will last more than the cruise, but it does not. The glow on her face lasts for one month nonetheless and she is grateful for a beautiful encounter for once in her life. Four others also without spouses in tow have glorious tantric affairs of the heart never to be forgotten within. One chooses for divorce, marrying her new beloved of the eve.
Windflower conceives a child due to her affair in a marriage that is absolutely non-sexual. The conception is the love child of her life and she does not wish to abort. She confides in Eathelyn and Ihsan requesting illumination into her plight. Natto is very wealthy and she could divorce and raise the love child on her own. This she desires with all her heart. The beloved of the occasion, Wernher, Ihsan knows well. He is unclear he will desire to wed or raise a child as he is also married. Wernher’s wife also could not attend due to preoccupations of her own. Windflower chooses to have the child but not share the truth with Wernher. She announces her pregnancy as a fate of virgin birth of self. Natto is suspicious but accepts that he is soon to be a father of a virgin birth.
Wernher hears of the pregnancy and birth and times the due date to his own desire of his own loins. He approaches Windflower one Sunday morning in the crystal clear countryside where she walks the new born baby, Rhapsody, in a stroller for her own sustenance. She is alone and so gorgeous in the glow of herself that Wernher is mesmerized at her beauty as a mother of a child of his heart. Windflower is shocked at his sudden presence but embraces him nonetheless. The two shares of many intimate truths of the love of the heart and the offspring of deep care that blossomed in her womb and life. He desires to divorce his wife and be with the two soon. Windflower has become so deeply emerged in the fantasy of a virgin birth that she is unclear what to do with Natto. Wernher is not concerned and feels it will all work out.
The two plan an escape together. They again seek the counsel of Ihsan and Eathelyn who claim they will never reveal the truth about their plight. Windflower divorces her husband for a large sum taking the child away claiming he is not really needed in the fatherhood of her virgin birth. Wernher likewise divorces his spouse of many years abandoning the region completely along with his business of fate. There is enough between the two to be as one and foster a new life elsewhere and far away due to the alimony and settlement from Natto unto Windflower in the divorce. The two disappear but discover the care of twins of the three together through time. They foster little other than the raising of their child Rhapsody for a long time.
Eathelyn and Ihsan say little about the disappearance of their two friends of fate from their lives to either spouse although they are sought after for counsel given the change of life happenstance of each. Neither reveals the truth holding on to the promise in their hearts that the fate of the two should be disguised unless revealed by themselves. They choose to introduce Natto and Wernher’s wife, Honalei, and the pair foster a brief affair of the two out of loneliness and not sincere love. They do not marry but become fond friends for life. As the love child Rhapsody matures, she desires to know her true story. She learns about her non-father and the chagrin of her parents to disappear to raise a love child of herself with themselves as twin flames of fate. Rhapsody longs to know her potential other father or mother deep within herself.
Rhapsody discovers through private records of her mother and father who the other former spouses are. She chooses to meet with them privately and announce who she is. Natto had thought he was the father of a virgin birth and is not pleased to discover the truth of his former wife or her desire to raise a love child with a twin conceived through normal desires of the loin. Honalei is equally disturbed at how and why the two lied to her and each in the region about the truth of the fate of the three. Rhapsody finds herself in a difficult and dishonorable system of strife due to her unannounced presence in the life of two her parents had each divorced. She is advised to seek out the counsel of Eathelyn and Ihsan to better understand herself.
The three meet, and Eathelyn and Ihsan each agree that the choice to introduce herself was not advisable for the sake of the town. Rhapsody has been raised in a very loving happenstance of twin trilogy and cannot conceive of anything other than acceptance in her life. The people abandoned town including the former mates of her parents who felt wounded; Rhapsody needs to find compassion for all sides of the story of her life. Natto takes the time to get to know her. He becomes increasingly enchanted with Rhapsody and the two spend much time together. Honalei is less interested, desiring to move on with her life, and into another union of fate. Natto and Rhapsody depart into a castle of his own wealth far away for a time.
Natto grows to be very upset over the truth that his beloved counselors of the heart had lied to him about the fate of his former wife. He had adored Windflower although their intimacy was forsaken due to her own desires not of the loin. He had accommodated her lack of sensuality due to his deep care of the beauty and self. He wept at her departure and had longed for her for years, finally closing his heart shut in the pain of the heart. This is his story shared with Rhapsody, his pseudo daughter. Rhapsody begins to open her heart to her pseudo father. She will not consider a union with him within, although the care of the heart is deep between them.
Eathelyn and Ihsan have counseled many couples over the years in the plight of the loss of the heart or other strife in life. They each care for Natto and each associated deeply. Natto pays a visit unto them to share of his position. The three talk into the night on a stormy eve and no resolution appears possible for he is adamant in his flavor of betrayal. Eathelyn and Ihsan claim that they were honoring the wishes of Windflower and Wernher who had fallen in love on the eve of their own wedding. Natto grows be vicious towards the two and had chosen to depart the region for the sake of his own heart. He gathered Rhapsody unto him as the bouquet of a child he had not been able to witness in her youth and as a father of her heart.
Rhapsody embraces her pseudo father who fosters her in beautiful attire sending her off to the most expensive school to foster her development. Natto purchases a mansion in the university town for his own sake. Rhapsody is invited to live there in the lavishness he would have always desired to give his “daughter”. The two care deeply and Natto begins to heal of deep wounds of the heart long forgotten with her mother. Rhapsody cares for Natto but desires to meet the mate of her own fate. Natto blocks the possibility of any mate for a long time.
Rhapsody graduates and aplombs at dance, art and acting. Soon she wins a leading role in a stage play about twin beloveds of the heart. The fate of the play is the loss of the twin and the heartbreak that this causes. Rhapsody plays the part in the beauty of herself and her pseudo father and all others applaud the success of the cast through time. Soon the play is invited to travel to many regions abroad. Natto chooses to accompany his daughter as a leading cast member and in a style none other can afford and wherever the crew is to adventure.
Rhapsody cares about her father and loves the lifestyle he can foster above the means of the other cast members. She always appears in the most exquisite of attire but longs for a lover of her own. Natto never opens his heart to state it so but desires to see her with himself for a long time to come and not with any other male. He wishes her as a partner and not a pseudo daughter. The truth is that the ancestries are not the same and a partnership could flux but he does not claim his desires with her.
Rhapsody fosters three leading roles through time and is enamored by each audience. She fails to foster the love she longs for in life or a love child of her own due to Natto’s possessiveness. She does not understand his sincere affliction of desire for her. Natto desires Rhapsody with his heart and loins he finally claims. She refrains from any of his seductions until the leading cast in the male role on stage shares with her his love of her beauty. The two romance and ignite a flame of the two falling in love and then eloping into wedded bliss without Natto’s consent or knowing. The two depart to the next stage destination without him.
Natto is vastly upset at his pseudo daughter and potential life mate choices in life. He feels betrayed once again in the love of his heart. He chooses to return home to the region that he was born. Windflower and Wernher receive an unannounced visit from Rhapsody and her new husband. They embrace the two only to discover that she is pregnant with a love grandchild of their hearts. The family chooses to foster the grandchild; Rhapsody and her spouse Hampton cease to foster a center stage appearance for three years.
Suddenly a new possibility of a production including the pair is offered by an adroit studio for another award-winning show about the care of the two. Windflower and Wernher choose to raise the grandchild of their heart, Divanshi, on their own so the pair may foster many glamorous and enticing moments on stage. They witness many of the productions and applaud the gifts and talents of their daughter and son-in-law.
Natto hears of a production nearby that his pseudo daughter and husband are fostered in the leading roles. He chooses to attend and is mesmerized by their glamour. He also attends the post gala ball and gifts the couple a home not far from himself. They accept and are delighted in his presence once again in their life if for no other cause then a place to rest. Natto is generous but haunted by the loss of Rhapsody and Windflower through time. He longs for a beloved of his heart to lay next to him at night. The presence of Rhapsody nearby only upsets him more greatly within. In time he chooses for suicide and succeeds at his goal one gloomy and stormy night of the doom of himself. Rhapsody discovers the body in her weekly visit unto Natto. She is vastly upset to discover him in bed and without breath due to drinking a glass of hemlock.
Rhapsody shatters within herself due to the plight of her pseudo father. Her spouse Hampton is unable to aid her in healing. The love child Divanshi returns into Rhapsody’s care to aid in healing her heart. Little Divanshi is beautiful and helps Rhapsody heal some. Her spouse Hampton feels that conceiving another child is the best resolution to her heartache. The two romance into the fright of the night and indeed she conceives.
The child is not a love child but one of deep heartache of herself in the loss of Natto through time. The child is born a beautiful boy that each adores, especially Hampton. The child is not a twin of their hearts. Rhapsody fosters her newborn son, retiring from the stage to attempt to enjoy parenting in life. Hampton returns to the stage only to foster a new romance and divorce her in the year to follow. The heartache of Rhapsody is just too much for him to witness.
Rhapsody is perturbed at the loss of her spouse who she had cared for so deeply in addition to the loss of her pseudo father Natto. She mourns each deeply. The son of her heart is the son of her former spouse’s heart and she finally bequeaths the child into his new family. Little Javion is better cared for by the two than herself.
Windflower and Wernher do not know what to do for Rhapsody. She had been the bell of the ball and their hearts for so long as well as the bell of the stage and the romance of her spouse. What had gone wrong for her and not them? Rhapsody finally confesses she felt that Natto was more attracted to her than he should have been, but maybe she should have allowed the union as she was not a legal daughter, and it would have been accepted by the town. She is now upset she chose not another path with him through time.
Windflower contemplates her daughter’s position of love of Natto in the recollection of all the kind things he had fostered for her through time. She had disliked sex and he had acquitted his lust and sensuality completely for her own sake. He provided for her amply even in her dislike of his presence in her life. She was not anticipating a love child or twin as it occurred in Ihsan and Eathelyn’s marital nest. But yet it occurred.
Perhaps the desire for the love of the two was so large that it drew her to conceive and divorce and raise a love child of his heart as well as her own. Rhapsody ponders her own happenstance with her mother. Rhapsody chooses to follow the fate of Natto succeeding at suicide the spring to follow. Both Windflower and Wernher grow to be deeply upset at their love child’s suicide. They foster a session with Ihsan and Eathelyn to understand the plight of their lives.
Ihsan and Eathelyn are surprised at the outcome of the plight of the two families. Windflower and Wernher feel that something is out of alignment perhaps within them somehow and desire to know what to do to heal. They had fostered a love potion number nine for Ihsan and Eathelyn that triggered their union. Wernher mixed the potion and Windflower delivered it as a sacred gift of an herbalist’s heart. The four were somehow deeply intertwined in the joy of partnership and maybe needed to acknowledge the truth. Shortly after the session, Ihsan and Eathelyn choose for divorce. The bond of the heart appears severed amongst all.
Over time and through deep inner introspection the divine concepts of life, both Ihsan and Eathelyn along with Windflower and Wernher chose to reignite their unions. Wernher departs his marriage and fosters a new union with Windflower. The four abort the postulation of non-care of the heart triggered in the suicide of Natto and Rhapsody. A deep and new kinship forms between the four in a postulation of the divine that allows each to heal the heartache of self and wounds of the lost love ones through time.
Love is the force of the law prevailing through time. The four witness the flourishing of the post-life love of their family now deceased. The love ignites into a flame of the heart that bathes the homeland of their hearts forevermore fostering blessings of the heart for each that each had known through time. A war that might have manifest diminishes in its capacity to foster violence in the era to follow.
The Law of the One
Jaiyana was a stupendous actress of herself. Her boudoir of fate was a large system of potential mates who came and went and came again. Sometimes there were brief engagements. Sometimes there were only love bonnets of the sublime in a momentous occasion through time. Sometimes there was what appeared to be the one of the one for the forever of herself; but Jaiyana enjoyed the romance more than marriage.
She fostered so many unions that they began to repeat in nature through time. One came and went following the other in a parallel sequences of union lore unto her past. She became increasingly bored as a result. Jaiyana pondered the dance of union within and decided that maybe it was time to allow the engagement to foster a sincere marriage of the heart and preferably with a twin of fate. She rang her fate keys of the divine sequencing of marriage with a twin within herself.
Bluford is a superlative male of succinct rhythms of the boudoir with a flair of the loins in organismic sequences of self. Jaiyana is more enticed with Bluford than most. She spends many a night with him allowing all to arise into the dawn of the sunrise of the two. Jaiyana is an expert at tantric rush and Bluford flushes and rushes with her like no other. He is uninterested in marriage at this time as much like herself, he loves the romance and not necessarily what may lay beyond it.
Bluford is younger, and Jaiyana soon realizes he has decades of romances to be fostered before he may be ready for someone like her. Her bosom bounces with Bluford like no other. It sags as he flounces out of her reality and into another flight of the night with another femme fatale of fate. Jaiyana finds reprieve in a sacred boudoir of bosom lift in garb of the femme fatale of herself. Suddenly she sparkles again within.
A ball is announced in the region, and Jaiyana has not a date for the occasion for the first time in what feels like eons in time. She is fostering the party by herself but hopes to meet someone new and from another kingdom far away that match her twin marital keys. A lonely count of a fortress all of his own from far away does attend the ball and matches the keys which each ring causing the two to find one another amongst many. He is handsome but not particularly interesting in comparison to so many Jaiyana has known through time as beloveds of her heart.
Her flavor of self is expansive and expressive and catches Count Lemuel’s attention. He is a warrior of spirit and not of the loins he proclaims within himself. Jaiyana is intrigued as she has had few warriors of the spirit as possible mates. Lemuel is drawn unto her like a moth to the light or a frog to the water or a count to a countess in the making. Jaiyana ponders the possibility of becoming a countess next and really finds the dreams entertaining and intriguing if not lustful with her beloved and future husband.
Count Lemuel wines and dines Jaiyana long into the night and into the twilight of his delight. The two fosters champagne into the dawn of a delightful tantric encounter intriguing the senses of the eyes, ears, nose and tongue. Jaiyana utilizes all her skills as the expert tantrica of herself to tantalize the count into a proposal of marriage by the following dawn. He is in the flight of enchantment with Jaiyana within his head and loins and many other parts of himself. Jaiyana has her eyes upon the journey as a countess than upon him as a mate. Lemuel has his eyes upon her bosom in the dream of his mistress and wife of fate. The two wed in a spectacular dream of a sunrise ceremony following by a day of celebration in the kingdom of the count and a night interlude of ball for selected guests of a nuance of care of the two.
The ball is a mesmerizing dream in which the Count and new Countess find their accord of fate with the people of the region that Lemuel governs over. The region known as Jensey applauds the union of their favorite leader Count Lemuel of all time. He aplombs at many gifts and talents, including counseling and guiding the people, along with other governance in the direction of peace, fortitude and prosperity of the whole.
Jaiyana seeks a dream that aligns with him in his governance from a feminine point of reference. Soon she fosters a feminine stance upon issues she feels needs to change within the kingdom. Many women are not supported by the whole and foster dreams of ill fate raising children by themselves and sometimes in impoverished happenstances of fate. Jaiyana takes on the cause of the feminine and alters the tax structure to better support those raising children in single family life scripts. She is enamored with her emerging position of leadership of fate in Jensey.
Count Lemuel is impressed with his wife’s newfound leadership. She fosters many females to rise up in Jensey in parallel to alter the financial structure to better support those who are down and out. Many struggling with the rising costs of food and rent soon find refuge in new housing structures that are developed by the region’s elite. Those with wealth are not happy with the shift in tax structure and are disgruntled with Countess Jaiyana. Those who are more numerous and impoverished love her more than perhaps any other leader that they can recall in the kingdom. Jaiyana is so popular that her time and energies flux more into her new found aplomb at leadership than towards her spouse Count Lemuel. She becomes increasingly enamored with her own role of countess of the people and less so with him as a mate.
Count Lemuel desires a child. The kingdom desires that they conceive for the sustenance of the next in line to become count or countess of the land. Jaiyana always knew it was her fate to bear a child. Alas although the two attempts to conceive, Countess Jaiyana appears barren. Too many herbs were taken over time to assure non-conception in all of her liaisons of the heart and loins of the two. Count Lemuel does not ever really understand the cause of her barrenness until an adept healer and herbal medicine man confides that this is so as he had known of her prior affairs in life that were many. Count Lemuel considers divorce as he wishes for a child. Upon his request, Jaiyana accepts his will to divorce but chooses to go on in her roles of leadership of the people who love her.
Lemuel meets another twin of his heart, a young and sassy femme fatale of a buxom silhouette of herself. Tennille is a gorgeous daughter of a somewhat impoverished family who has arisen into the role of a star as an actress and dancer of great aplomb. Lemuel is once again overcome with the desire of the loin. The two quickly marry following his divorce. Tennille discovers through time a deep kinship with Jaiyana.
Jaiyana becomes a confident to the new countess of the land and the two become fast friends of the care of the feminine. Tennille supports the position of the diminished feminine and the stance for improved programs to support the needy and hungry of the land that Jaiyana continues to foster. The people of lack love both women, the ex-countess and the new countess, alike. The two often dress alike and appear similar, creating the flavor of physical twins in common stance of one another.
Lemuel and Tennille conceive a child. Jaiyana is requested to support Tennille through her pregnancy at her own bequest. Lemuel is rather enticed hoping for a sensual exploitation of two mates; one former and one current. Jaiyana chooses to allow the dream of a sensual flux of the three to be fostered as a gift to Lemuel for her preoccupation over the kingdom which diminished her time with him in an intimate sense.
The three flux into deep care of the one and the child is delivered as a love baby of fate for the kingdom. Little Leander is a mirror image of Lemuel and is doted upon perhaps as no other child, even Lemuel when he was young and adored. Everyone loves little Leander and pronounces him the love child of the eons. Leander googles and goos to begin with and beacons in the role of the little prince of fate in his younger years. He is spoiled rotten by many who care and grows into a belligerent teenager in the years to follow.
Lemuel is unclear as to what to do about his son Leander. He is discovered not only having many affairs with the maids and other servants in close quarters, but now has conceived three children of illegitimate stance in the kingdom. All are born as the mother desires to experience the love of the heart of Leander’s role at birth. Jaiyana attempts to counsel Leander about his desires of the loins as the conceptions only plague his family and potentially himself later in life. He will support these children under new legislation fostered through her stance of the feminine along with his own mother Tennille.
The income is diminished substantially of the Count due to the needs of the three little ones of his loins and not his heart. Tennille is beside herself when a close friend’s daughter who is only age thirteen also conceives a child with Leander. Jaiyana is more enamored with all the drama and less disturbed as her pocketbook is less affected. She suggests that perhaps Leander and Solange wed and raise the grandchild with the support of all families. It is fortuitous that the new in-laws to be are wealthier than the Count she claims.
Leander feels trapped in his new wedded bliss not. Solange is unhappy with his unhappiness but thrilled at the care of the feminine fostered through her daughter-in-law position with both Tennille and Jaiyana alike. The three are often witnessed dining together or at high tea in the local village discussing feminine rights and the needs of the people raising children in down and out positions of dream. The three launch a campaign to again raise taxes in support of those with too little to foster their children.
The congress approves four new bills that tax the wealthier even more greatly to foster those in impoverished happenstances of life once again. Now single mothers or fathers are to be supported by the kingdom for the sake of the children that are to be raised. New schools for all are to be constructed to educate the little ones into a better understanding of life along with spiritual concepts of truth. The income of the Count is sadly diminished yet again leaving the family unable to afford all of their unique properties. Two properties are sold to allow for the fostering of the taxes over the years ahead leaving only three remaining. One castle is gifted to Leander and Solange to foster their child as another tax break for the family.
Jaiyana, Solange and Tennille are the favored of the majority but not of the wealthy and affluence in power over the governance. Count Lemuel finds himself in a juxtaposition of truth of desiring to support his wife, former wife and daughter in law and also support those in power in his kingdom. The ruling class inaugurates a campaign against Lemuel. He is removed from office and suddenly Tennille, Jaiyana and Solange discover that their power is diminished as officers of the governmental parliament of the day. Some of the bills of rights of the people fail to be fostered in a turning of parliament through time. Some of the tax laws that appear too bleak for the wealthy are overturned.
Some of the schools anticipated to be constructed are abandoned. In time, wealthier churches choose to complete a few schools turning them private and elite orchestrations for the wealthier children and not for those more impoverished through time. Each school profits kindly. Lemuel feels lost in the loss of his own position of governance, becoming suicidal through time. Tennille, Jaiyana and Solange are still greatly loved and procure enough interest to foster one of the abandoned schools with charity to be built. They continue to focus upon raising funds to aid those of impoverished status in attending. The school is a success. Lemuel grows to be involved and overcomes his depression. Alas he succeeds at the loss of his life in an accident drowning himself out to sea the year to follow.
Jaiyana, Solange, Leander and Tennille are all disturbed by the loss of the life of Lemuel. They and the people of the land mourn the loss of their beloved Count who is remembered for his stance of equal education for all in the end. Jaiyana finds her way into another marriage with an adroit businessman from the land of her birth. She moves home with her new beloved Joho. Joho is wealthy and handsome and easily seduced by a gifted tantrica of herself. He longs for Jaiyana day and night. This time Jaiyana chooses to attend to the marriage and not the people of the land.
The two wed happily in a séance of self that foster a prose incantation of the twins of fate of the care of the heart. They romance into their honeymoon and unexpectedly Jaiyana conceives a child when she had been previously barren. The two are surprised but Joho does wish for a child in his heart. Little Odion is born premature but healthy. Jaiyana falls in love with motherhood and Joho falls in love with each of them unexpectedly in a new found romance of the three.
Tennille and Leander appear to part paths as Jaiyana relocates. Leander meets a new beloved of the heart known as Keiko. The two also conceive a child of the heart. Little Chrisanthemum is the beloved of the three. The kingdom fosters Leander into the position of the new count of leadership of the land. Keiko chooses to foster her position of Countess in Jaiyana’s shoes. She takes on many other causes of the land in association with the need for better farming practices in organic and permaculture nature. She is a gifted chef and opens a restaurant of organic flavor of self that grows to be very popular over time.
Chrisanthemum grows up and into the business as a gifted chef herself. The family blooms and Chrisanthemum finds the twin of her heart in another chef of fate. The love bonnet of the two triggers the restaurant to expand into Jaiyana’s homeland where the two families enjoy one another’s company recurrently. The six ignite a love bonnet of the divine for the people of both kingdoms.
Analysis: The Tale of Justice
The law of justice is one of the heart fostering care of each and the whole. The heart accolade of justice fosters unions that care for one another through time for the friends and family associated along with the people of the land. The law of justice will strive to rectify imbalances that are personal or social due to lack of finances or lack of care. The law of justice fosters restitution in the poverty to greed paradigms allowing balance of the whole to be fostered in sustainable notions of self. The tale of justice often displays the fostering of love as the only truth that is real through time.
Love of not only of the heart but is a sustainable fabric that weaves spirit, self and soul together in a union divine. Without love, spirit, self and soul diminish and fall apart failing to foster dreams into succinct light motions of care. Dreams without succinct light motions detriment into realities of the non-sublime as spirit and soul cease to be present in life. Life becomes mechanical, boring or sometimes filled with strife in stature without spirit and soul to direct the dreams in care of self. Love of soul and spirit foster the self of the self to attract those that care for oneself through time. Non-soul and non-spirit cause a life of lack including loss of those who care.
The love of spirit and soul directs the path of the two or three or many in life into care of the heart. The path of the two is to acknowledge the desire to be as one and foster one another or the clan through time in deep care. The path of the two leads to the path of the three in which the child is born out of love and fosters beauty in the dreams of family. The love of the three expands to the love of the tribe to foster those who are deemed less than enough to be cared for in society. The tale of justice is an age-old unfolding of balance that triggers a redemption of greed and a re-inauguration of abundance for each and the whole.
The tale of justice is not a mastery level arcana for most. The tale of justice may be fostered in one out of one hundred humans attempting mastery in any era. The tale of justice requires an astute awareness of fairness of one another and the whole and a desire to love the partnership, the family, the tribe and the world at large. Those fostering the tale of justice are an auspice of spirit and soul to descend into matter and give restitution to deep imbalances in society or the world at large in this era. There are those who arise as leaders in the role of justice in each cycle of imbalance through time.
In the truth of the love within,
Master Yogananda
The Law of Love
The truth of the law of justice
Is the one who fosters
The unique aptitude of love
In a dream of realization
Of the Tao
In the beauty of the Dao
In a love bonnet of the divine
In which the tides of fate
Align spirit into matter
And each is cared for
Through time
Helpful Link to Support Transfusion
Light Wave Art & Glossary
Dedication
To all Beings in discovering the Love of the Love within themselves. May you walk in Love and Beauty on Earth.
Copyright
Creational © 2021, Asur’Ana, Aligning With Earth
This book has Creational Copyright. This information is offered for Theoretical Exploration only. Please accept only information that you resonate with and that are useful to your spiritual evolution, and let go of the rest.
The Ascension Insights series and related books offer information on consensus ascension. This type of ascension involves rising up the dimensions with Earth and as she ascends. These books disseminate information on having a complete ascension with the potential of taking the body with you.
The Light Wave series offer information on another type of ascension known as transfusion. Transfusion is an inward focused process where the Consciousness returns Home to the Source, All That Is, or the Tao, through one’s hologram, and the body is left behind in ascension.
Disclaimer
Asur’Ana does not dispense medical advice or prescribe the use of any technique as a form of treatment for physical, emotional, or medical problems without the advice of a physician, either directly or indirectly. The intent of the author is only to offer information of a general nature to help you in your quest for physical, emotional, mental and spiritual well-being. In the event you use any of the information in this book for yourself, which is your constitutional right, Aligning With Earth assumes no responsibility for your actions.
Source
Asur’Ana. Light Wave 5: Yogi Tales of the Divine. Aligning With Earth, 2021. Digital.